High Country Tribute

Southern Highs

Overlooking Erewhon (an anagram of nowhere).

“A large land, uplifted high” is how, in December 1642,  the Dutch led by Able Tasman first described what was to become known as New Zealand. They were looking upon the western side of the Southern Alps which rise precipitously from a narrow coast to top at  4068m (12,349 feet) above sea level.

Of course, other explorers discovered this was not the great southern continent that northern hemisphere explorers expected (to balance the globe), but a relatively small country comprised principally of two long, narrow islands – practically but somewhat unimaginatively now named North Island and South Island. I prefer  the Maori names which are increasingly coming into popular usage: Te Ika a Maui (the fish of Maui, the North Island) and Te Waipounamu (greenstone – jade – waters, South Island); much more poetic and descriptive.

Te Ika A Maui has its high lands, but it is the vast uplifted lands of Te Waipounamu that always spring to mind when Kiwis talk about ‘the high country’, and it is that land that I pay photographic tribute to with this blog; in particular that wide, high, land that extends eastward across Canterbury from the Main Divide – the long range of mountains extending the length of the South Island that marks the boundary between west and east.

The two sides of this high dividing line are remarkably different in spite of both being halves of the whole. The west side is incredibly steep, very wet, with dense temperate rainforest and little in the way of ‘introductory’ hills as an intermediary  between the coastal flats and the high barrier ranges. The mountains jump up from the sea and the distance between coastline and mountain top is not more than some 50 kilometres and, more  frequently, much less.

In the west the high barrier mountains fairly jump up the narrow coastal strip

On the eastern side, where the divide borders Canterbury, the high peaks give way to a series of lesser ranges, giving way in turn to rolling hills, cut through by long winding rivers, before petering out to the alluvial plains. Forest close to the Main Divide is still thick and wet but the land quickly becomes drier toward the east. Here are the river-terraced and glaciated valleys, dangerous rivers, and steep alpine passes of Samuel Butler’s ‘Erewhon’. The forest gives way to great realms of alpine tussock grasses, wide wetlands and shallow swampy lakes, and  fields of alpine shrubs and herbs (often armed with thorns and spikes) that can be as impenetrable as any tropical jungle. Bare tops pour frail, frost-shattered rock down shingle slides into the valleys, where the rivers refine and polish this material as it is carried out to sea, building, over eons, the wide, flat Canterbury Plains.

It is country where the scenery can change dramatically at the turn of a road  or the crest of a hill.

The scenery changes around every bend

Farthest east, these hills are largely cleared of bush and the tall snow tussocks, and have been grazed for 200 years. They are smooth and civilised, but nevertheless beautiful in form. In spring they are green as a young emerald, but quickly brown into  summer, scoured brittle by the hot nor’westerly winds that make the west so wet and the east do dry. Red cattle and white sheep dot them sparsely and mark wandering trails across their surface.

Bush remnants tuck like pubic hair into the intimate folds of the valleys, and blue glacial rivers burst out of the last mouth of their gorges here, to spread leisurely, haphazardly, across the plain. Kahu (Australasian harrier or what most New Zealanders call hawks) patrol here, as do the fierce speedster, the karearea (New Zealand falcon). Pihoihoi (native pipits) trill from the sky and follow trampers along the paths, gleaning insects disturbed by their passage.

“As green as a new emerald”

Higher and more westerly, the hills steepen, and begin to sport long, steep-sided ridges where land slides away into gorges and gullies. More forest remains here, and the grazed bits left to go wild have reverted to native matagouri thorn shrub or been invaded by the exotic weeds of wilding pine, gorse, briar rose and lupin. Here the tops are bare, and gather snow to themselves early in the winter. In places where  this land has been reserved from grazing, or restored,  the tall tussock and the alpine shrubs paint the slopes in a range of pastel hues in the red-brown-orange-yellow spectrum.

tall tussock paints the slopes in the red-brown-orange-yellow spectrum

Manukua and kanuka flower here so prolifically it looks like an unseasonal snow has clothed the regenerating forest, and the birds are more numerous as there is more to feed on, both plant and animal. Green geckos bask among the coprosma twigs; grey, slipper soft, geckoes hug the rocks, while skinks rustle quickly through the dry grasses. Kahu and karearea are fierce predators here, and at the boundary between plant life and bare scree, rare and beautiful rock wren, the ultimate winter survivalist, hop among the boulders. But the king of the birds here is the kea: cheeky, inquisitive, resourceful and bloody clever, these unique alpine parrots are the icon of high country wild.

Kea – the avian icon of the South Island High Country

Higher still and the mountains lose all pretence of civilisation. The peaks are jagged and ice-bound, the slopes precipitous. Glaciers are born here and cut steeply though the gullies. Thick forest rises from the valleys but quickly gives way to shrub, then tussock then bare rock where even lichens struggle to maintain life. Vegetable sheep hug to the tiniest bit of shelter from the wind and creep achingly slow across the scree. Kea fly here too, high above, en route to somewhere, or nowhere. What trees there are that impinge on these heights are distorted and creep flat across the landscape growing a mere millimeter or two a year; grotesque natural bonsai prematurely aged by the fierceness of the elements.

In the steep gullies winter snow piles up until the war against gravity is lost, and then avalanches down with death-dealing swiftness. The wind is almost ceaseless here, and ice and snow curl over the edges of ridges, leaning away from the wind in fragile, beautiful, but deadly overhangs. Climbers are among the few living things that ascend to these heights, though even on the high passes frozen footprints show that deer, chamois, hare and stoat travel over high passes from one valley to another. But human, or animal, their stay is brief, the mountain weather gods do not tolerate intruders in their realm for long.

Starkly beautiful but hostile to life – do not linger!

Across the peaks to the western side and ice flows swiftly in great frozen rivers that, by glacial standards, fairly rush down the valley passing below the forest line, which makes them unique in the world. The slopes are steep here, the forest thick and wet, clinging to faces so steep that, inevitably, the sheer weight of growth becomes too much and tree-avalanches thunder into the valley leaving fresh scares for mosses, lichens and colonising plants to clothe again. It will be several generations before the forest is back, but the cycle is never-ending and all sorts of birds and plants and insects have evolved to fill the ecological niches this process continually creates.

The rivers spill quickly across the narrow coast, fast and foamy until they reach the brief, bush-lined flats near the sea, where they frequently become languid, darkly tea coloured and deeply mysterious, flowing past nikau and wind-pruned forest to stain the foaming ocean.

darkly tea coloured and deeply mysterious, flowing past nikau forest

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6 thoughts on “High Country Tribute

  1. Awesome reading. Makes me feel very privileged to have a family Bach in such a wondrous and enchanted place @ the foot of the mighty Southern Alps! Thank you Grandad & Grandma ox.

  2. Steve there is just such fine writing here. It’s 3:16am and I have become transfixed reading this. What a fine sentence this is: “Bush remnants tuck like pubic hair into the intimate folds of the valleys”.
    If I could travel in time across this landscape I would like to see its formation through all the debris flows that swept all the way to the sea. I am sure you will be familiar with Lords Bush and I would like to have seen this land in its primal state with all its attendant Flora and Fauna untouched. For me there is something quite intoxicating about it and my thirst for it almost haunts me. I, as of late, haven’t been up in the hills for some time but I hope I cut across your bow one day as I would like to have a good chat with you.
    Please tell me which peak you were on looking across Erewhon. I’ve done Potts (one of the most stunning views to my mind) and Harper only down that way and I am struggling for a fixed point in this photo.

    • Hi Mark, many thanks for your comments. The view of me overlooking Erewhon is very close to Mt Harper. It is taken from the top of the Balamacan Saddle, which is to the northern side of Mt Harper, looking directly across to Forest Creek and Mesopotamia Station. While there is a station further upstream on the Rangitata River actually called Erewhon, it was Mesopotamia Station that Butler worked on and used as the model for the Erewhon in his novel.

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